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Reviews/Articles...

THE BUZZ MAGAZINE INTERVIEW - AUGUST 2007

Liz from Vespertine was wedged with the rest of the band into her tiny car in the freezing wastes of the asphalted carpark outside the rehearsal studio. Reception was so poor indoors, the band had donned jackets and crammed the vehicle's interior.

Vespertine was originally formed by Liz and Michelle on the Mornington Peninsula and reformed in 2006 as a four piece. Best described as 'alternative rock,' there's lots of heavy stuff, intermingled with dreamy passes.' explains Liz. If you ask them how to describe their music think of early Veruca Salt and Smashing Pumpkins.

Lyrics deal with connections with nature, love, intermingled with words that really create a nice picture. 'Emotive dreamscape imagery,' says Liz*. I shouldn't have been really surprised. Their name 'Vespertine' was chosen not only for the word sound, but because it also has a definition for 'Things that happen in the evening.'

At present they have a single out, and 'A Perfect Storm' will be joined by a B side in a couple of months.
Songs on the single include 'Sooner Is Better, Festival Day, Morning Noon and Night, and Olive. With fifteen 'in the bank' and fifteen new tracks ready to deliver the Vespertine crew have plenty of tracks ready for the forthcoming B side release.**

Reforming as a band with the inclusion of the new guys, Liz is excited how the inclusion of Frank and Zoran has revitalized their sound. 'It has taken us to a new level. And it took a year and a half to find these guys!'

Liz works on the melodies and lyrics, then the band sits own and analyses this material to finalise songs. 'Better suggestions are welcome,' says Liz.

Vespertine are Zoran (drums), Frank (bass), Liz (vocals), and Michelle on bass.
Visit them at
www.myspace.com/vespertine1

-Peter Sutton

* Michelle

** The B-Side for the single "Perfect Storm" will be "Slow Down."

 

 

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Salty, Vespertine, Von Hyder. Wednesday 26 October 

Jager Uprising @ The Greyhound. Wednesday October 26. Presented by Inpress.

Vespertine had played earlier this year. The difference since the last show was unbelievable. Whilst the first song was a bit shaky once the band hit their straps they ruled the room. Singer Liz has the demeanour of a young Adilita, working hard on the guitar and singing with a passion. Michelle played the bass with aplomb, her stance looking like a metal player, low slung bass slanting up, right arm reaching down to pluck the notes. The band at times sounded like Magic Dirt, powerful and rocking, with a melody as well. The last song took my breath away. The guitars welled up out of the speakers and the sound filled my being. The song had some distinctive parts. The first part was the song, then it went sort of free form with Woody on guitar just pumping out some great soulful lead breaks, the song threatening to get out of control and descend into a guitar feedback frenzy, but the band brought the sound down and then moved it in another direction. Amazing. (review by Neil Wedd)

 

VESPERTINE:  They're a lot younger than Van-whatsit.  The drummer hits the shit hard and his toe tapping is good.  The guitarist is a lot more expressive.  If you overlook his typical 'guitar-nerd' status, he's a wailing, wah-wah axe murderer.  Good bending with reverb. Tremolo, vibrato, squealin' -atmospheric guitarist.  He's not above rippin the stage up either.

Girl bassplayer is solid at the bottom end.  You gotta love a girl with a bass. Even if they can only play 'Running with the Devil' it's still worth lying about where you live if she wants to split a cab.

They got a 'College rock' sound.  Like their songs would be in a teen drama produced by Aaron Speling.  It's nice… topped with heavy drums and sick guitar.  They churn out a spot of 3-part-harmonies. Good kids.

Now, their lead singer, isn't a femme fatale.  She's an adorable thing. Cotton singlet and Converse Allstars.  Long brown hair, rosy cheeks.

You wouldn't go home with her if she asked you…You'd disappoint her by sheepishly holding her hand for a bit and then going home and watching Letterman and wishing, just wishing that you'd mustered the balls to kiss her.

I'd get a cab to Frankston for Vespertine's adorable lead singer. And I sure would leave her confused and disappointed, failing to find my balls as I embark on a 6 hour walk, back to my house… neither me, nor her, emotionally touched or even remotely aroused.

The Bass player tells us that she saw a chick with incredibly long arms today.  Now that's the best "…Guess what happened to me today…" anecdote that I've heard in a while.  The Bass player smiles a whole bunch, which is really nice.

GO VESPERTINE.  Crash, wail, sing little girls.  Beware of long appendages and kids, you'll make it.

At the end of the set, the guitarist gets on one knee and turns the nobs on all his pedals and as he walks towards his amp, the final groan of feedback turns into a multi-delay, electric birdsong. Genius.

"…Fantastic set…" Indeed, Neil.

(review by the Archangel Michael)

 

Cloud City, Vocoder (NZ), Vespertine. Wednesday June 22
Jager Uprising @ The Greyhound. Presented by Inpress.

VESPERTINE: It starts with a squall of guitars and drums that has your attention. Then the sweet female voices get your attention. Magic Dirt springs to mind. Modern rock, sweetened out. A balanced band, two guys, two girls playing a sound that speaks of today but also harks back to The Clouds and The Falling Joys. Good material that is on its way to having a future. A bit of work is required to sweeten the vocals up, and maybe the drummer could not hit so hard, but that's par for the course. Well judged feedback reminds you that its got teeth to the sound.  (review by Neil Wedd)

The Buzz - January 2005

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